“I could never explain how a story could be worth more than a dance with a prince”

My short story “Heart’s Desire” is now online at Read Me A Story, Ink., a reading resource site for kids, parents, and teachers. Take a look–or a listen!


“PERFUME SCENTED the air as my stepsisters left the house, trading names of princes they longed to dance with at the ball. My stepmother, Vivienne, crossed the room behind them, taking Papa’s hand with a small, elegant smile. ‘There’s still time, Cinderella,’ she told me. ‘We’ll hold the coach while you dress.’

“I shook my head, and Vivienne frowned. I knew what she was thinking. Ungrateful child—after all I do for you. She often spoke such words aloud, when my father couldn’t hear.

“I frowned back while Papa glanced between us, looking trapped. But he said only, ‘Be good, Cinderella,’ before following my stepmother outside. Papa spoke little, so I sometimes wondered how he’d found enough words to ask for Vivienne’s hand.

“I closed the door behind them, listening as the carriage bells faded into the night.

“Alone at last! I reached beneath the sofa, grabbing the book I’d hidden there, and settled down to read in one of my mother’s patched old dresses. I thought of Charlotte and Jeannette, squeezing tighter and tighter into their bodices. What was the point of clothes if you couldn’t do anything in them?

“I sighed. Six hours until they returned, assuming they left the ball at midnight as planned — six hours during which Vivienne couldn’t snatch the book away, hand me a mop or dust rag, and tell me to make myself useful …”

Read more

AITA For Infecting My Cousin with Uncontrollable Hulk Powers?

“A couple weeks ago, I (Bruce, 52m) went for a drive with my cousin (Jennifer, 37f). I admit it, things got a little out of control — a giant spaceship cut us off on a winding mountain road, hurtling us down a hillside toward our certain death, you know how it goes. Long story short, my cousin pulled me out of the wreck, saved my life, and I repaid her by giving her uncontrollable super-strength along with a much needed makeover by bleeding all over her gaping wounds. Hey, we all look better in green, am I right …” (Read more)

Join me today in Greener Pastures today for an AITA from an under-appreciated Avenger.

“Once long ago, there was a seal who loved the sea…”

Writing is a strange business sometimes. We think we’re writing for readers, and then it turns out we’re writing for ourselves. We think we’re writing for our present selves, and then it turns out we’re writing for the children-we-were or the adults-we-will be.

Or both. Today I came upon ”Seal Story,” a selkie short I wrote more than a decade ago. Selkie stories are by their nature about the pull between two worlds, and when I wrote this one, I was thinking about my fears around one day becoming a mother, about the tensions between the creative world I already inhabited and the world of parenting, which are often presented as two very different, irreconcilable things.

But when I reread the story today, I found myself thinking instead about losing my own mother, and my struggles with being her adult child—about reconciling her need to be so many things to so many people with figuring out my own place in her life.

I don’t know whether Mom and I ever got to the final version of this story. I do know there are things I need to think about here, though, and that this was a story I needed to reread today.

In case it’s a story you need—or even just want—right now as well, I’m sharing it below.


Seal Story

You know this story.

Once long ago, there was a seal who loved the sea. On bright days she swam through the warm water, while waves crested with foam and salt scented the air. Yet she also loved the land, so on dark nights she shed her skin, took on human form, and danced, not through waves, but on cool, wet sand.

One night a young man caught sight of her, and when he crouched behind the rocks to watch her dance, he also caught sight of her gray skin shining in the moonlight. The young man couldn’t believe his good fortune. He stole the skin, and he hid it like the treasure it was.

The seal woman had no choice. She could not turn back to a seal; she could not return to the ocean. Instead she made her way to the young man’s home, and if the road that led there cut her bare feet, this story does not tell of it. It tells only that the man and the seal woman were soon married, and that they lived together in his house near the sea. Whether she grew to love him or hated him all her days–the story does not tell that, either.

What it does tell is this: in time, the seal woman had children. Her love for them was as deep as the sea, the joy she found in them as true as the stones beneath it.

And yet.

The young man’s house faced the ocean, and through its windows the seal woman could see the changing tides. Walking its halls, she could hear the crashing waves. Restlessly she paced those halls, long after her children slept, until one night she found the skin the man had hidden. In the attic, in the cellar, beneath a stone–again the story is silent. It says only that the sea grew loud, so loud, as she held her skin once more.

She could not ignore that call. She kissed her children as they slept, and she crept quietly down to the sea. But her eldest daughter woke, and heard, and ran after her mother.

The girl wasn’t fast enough. As she reached the sand a flash of gray disappeared beneath the water, and then she saw only waves.

This girl was human-born; she could not follow her mother. She returned to her father’s home, and the stones did not cut her feet. But even as she walked, she knew she would never forget that while her mother loved her as deeply as the sea, the depths of the sea were nothing, beside her mother’s love for being a seal. She would never forget, and she would never forgive.

You do not want this story. You are a child; you are unkind. The seal woman’s happiness means less, to you, than the girl’s.

Very well.

Once long ago there lived a seal who loved the sea. When she sought to return to it, her daughter ran after her.

The girl was fast enough. She cried out, before the seal woman disappeared beneath the waves, “Do not leave me!”

The seal woman heard, and her daughter’s voice pulled on her, as strong as the tides. She could not ignore that call. She shed her skin once more, and she carried it back to the young man’s house, her daughter clutching her hand all the way.

She found joy in her children for many years more.

And yet.

In the end her children grew up and moved away, even the daughter who’d begged her to stay. The young man grew old and died. The seal woman also grew old, too old to return to the ocean. She lived, bitter and alone, in the house near the sea.

She did not forget, and she did not forgive–not the young man who stole her from the water, and not the daughter who stopped her when she sought to return.

You don’t want this story either. You want the seal woman to be happy, and her daughter as well. You are trying to be kind.

Try this, then: The girl ran to the edge of the sea, and her mother heard her cries and knew she could not go.

Not that night, and not for many nights after. But one night, when her daughter was nearly grown, the seal woman returned to the waves after all. She did not kiss her children goodbye this time. She did not want anyone calling her back.

Her daughter mourned, but in time she did forgive. She knew her mother had stayed as long as she could. Besides, the girl lived in another town by then, or perhaps even in the city. She had a young man of her own, and she did not wish to return to the house by the sea, for her mother or anyone else. Instead she married, and in time bore children who pulled on her, strong as the tides.

And yet.

The story does not say whether the daughter ever longed to escape her own young man, or even her own children. It says only that she knew she could not leave, not when her mother had left her.

You are still not satisfied. You will have a happy ending, or else none at all.

I cannot give it to you. I can only give you this: The girl was fast enough, and the seal woman heard her cries, even before she pulled her seal skin over her human one.

So she did not go, but neither did she promise to stay. She drew her human daughter close. “I was a seal before you were born,” she said. “I will be a seal after you leave. I am a seal now, and I am also your mother. I will not be only one thing or the other.”

The girl did not understand. She only cried louder, because she thought her mother was leaving her after all.

“Trust me,” the seal woman whispered. She pulled on her seal skin then, and she slid into the sea.

I do not know this story.

Perhaps the girl goes home to mourn her loss, only to have her mother return to her, hours past dark. Perhaps she waits by the water’s edge until the seal woman reappears, dripping and human, to take her daughter once more in her arms.

What I do know is this: as her children grow, the seal woman spends time on land and time at sea. Perhaps the girl rages at this, and perhaps she weeps, because she misses the seal woman, when she is away. Because she wants her mother to be one thing, for her and no one else. I do not know whether the girl will come to understand, in time. Perhaps she’ll forever fear the day the seal woman will leave her for good.

And the seal woman will leave in the end, though not for the sea. You are a child, but surely you know this.

Still, when that day comes there will be nothing to forgive and nothing to forget. By then the girl might have children of her own, in this town or another. I like to think one day she’ll turn to them and say, “Your grandmother, she lived on land, but she also lived in the water.”

I hope there’ll be more joy than sorrow in her voice when she says it, and when she takes her human children into her arms. “Once long ago,” she’ll whisper to them, “there was a seal who loved the sea.”

Then she’ll smile, because she knows this story.


Seal Story” first appeared in Merry Sisters of Fate on February 28, 2011. You can find a full list of my stories here.

Free Bones of Faerie short story

Happy holidays! “Invasive Species,” a short story set in my Bones of Faerie universe, is now online. It’s also FREE this month wherever ebooks are sold.

You can download a copy now from Amazon Apple Barnes and Noble Kobo or Smashwords.

[Invasive Species: Book Cover]

The Bones of Faerie trilogy is set in the aftermath of a catastrophic war between the human and faerie realms, one that has left behind a world filled with deadly magic: stones that glow with deadly light, trees that seek blood and bone to root in, dark forests that can swallow a person whole.

While the main trilogy is set in the Midwest, “Invasive Species” is my look at what the war with Faerie might have looked like here in the Arizona, where even without magic, the plants know how to bite. Here’s an excerpt.


I held tight to my little cousin’s hand as we walked the road through Summerhaven, scanning the broken asphalt for weeds. Alex tugged at a stray thread on his faded Cookie Monster T-shirt and scuffed his sneakers against the ground. He’d been fidgety all day, like his skin felt too tight. Maybe it was the heavy gray clouds, promising rain, but giving us only another sticky summer day.

Maybe it was that for five years—since before Alex was born—our entire lives had been lived within a couple miles of this road. Thinking about it made me want to crawl out of my skin, too.

Alex spotted a fuzzy pink thistle poking through a crack in the pavement. He reached for it. I pulled him back. “Gloves on?” I asked.

Alex looked down at his bare hands, as if he had to think about that. He pulled leather gloves out of his jean pockets, tried to put them on, and got his thumbs stuck in the finger holes. I helped him straighten them out.

“Gloves on,” he said, as if it had been his idea.

“Go for it, then.”

Alex grabbed the thistle and pulled, throwing all his four-year-old strength into the job. The stem came up in his arms, wriggling like a thorny green snake, while the fluffy bloom at the end thrashed wildly, trying to break free. I opened my leather weed-gathering bag, and Alex threw the thistle in. Once it was dead, we’d feed it to the goats and rabbits, just like all the other weeds.

“Take that, stupid plant.” Alex laughed, as if hunting down killer weeds was all in a day’s work. He’d never known a plant that was safe. He’d never known a world more than a few miles wide, either.

I knelt beside him and dug the thistle’s roots out with my knife, ignoring the strap of my quiver as it dug into my shoulder.

Sweat plastered my I Love Mount Lemmon T-shirt to my back. “Never forget the roots,” I said.

Never forget the roots.” Alex threw them into my bag, too, grinning like a preschooler learning his ABCs. Except Alex hadn’t been to preschool, either, hadn’t learned his letters and numbers anywhere but by the fireplace with Aunt Anna and Uncle Doug.

I sighed and stood, looking at the familiar cabins that dotted the hillsides east and west of us, the snags of burned trees punctuating the earth between them. Beyond the houses, terraced fields of beans, squash, and corn moaned as they reached for the sky. Most of the town was up in those fields today, reinforcing the scorched rings of earth that surrounded the crops and kept them from marching down the hillside into town.

Five years ago, if someone had told me plants could march, I’d have told them they’d been streaming too many bad movies …


Read more! Download “Invasive Species” from Amazon Apple Barnes and Noble Kobo or Smashwords.

Infecting an Entire Elementary School with Covid Is My Personal Choice

Hey, it’s me, the brave local mom who went viral for defying the city’s mask mandate last year. As you know, I suffered lots of persecution for that, including dirty looks from my fellow shoppers at the Grab and Go and that one cashier who snapped, “Lady, just take your Diet Coke and Twinkies and go!”

But when it comes to personal choice, I don’t compromise. I only have one face, and I choose what does and doesn’t go on it, even when that face is shedding airborne particles of a potentially lethal virus. I declined the Covid19 vaccine for much the same reason — I choose not to inject unknown substances into my body. Except for Diet Coke, Twinkies, and the cheese sauce on the fries at my favorite poorly ventilated dining establishment, of course …

Read the rest at Frazzled.

Kids React to FDA Vaccine Approval: It’s About F*cking Time

The FDA approved a lower dose of Pfizer’s Covid-19 vaccine for five to eleven-year-olds today. How do area kids feel about getting the jab?

“It’s about f*cking time,” said Ava Phillips, age nine, speaking from the bedroom where she was waiting for the health department to lift the quarantine on her fourth-grade class

Read More at Frazzled.

“Do you believe that spring will come?”

Bones of Faerie, the first book of my Bones of Faerie trilogy, is about uncontrolled growth: plants that bloom in every season, crops that fight their harvesters, trees that seek human blood and bone to root in.

[Faerie Winter Cover]

Faerie Winter, the second book of the trilogy, tells the opposite story. It’s about endless winter, failure to grow, and the fear that spring might never come.

During our current physical and psychological winter, Faerie Winter is the book I’ve been thinking about.

The story’s protagonist, Liza, is surrounded by adults who remember countless other winters, followed by countless other springs. Liza was born after the war between faeries and humans banished winter from her world, though. She’s never known anything but deadly, unbounded growth. When that growth stops at last, Liza’s first thought is about how much safer the forests have become. Later, when she realizes that those forests have also stopped producing the things humans need to survive, she has no mental roadmap for what might happen next.

When Jayce, a member of Liza’s town’s council, talks about preparing for spring planting, Liza wonders at the fact.

If he feared that the spring crops wouldn’t grow, he gave no sign. Adults believed, somewhere deep inside, that spring would come, for all that they were careful of our rations. Some part of them couldn’t imagine that green wouldn’t return to the world, as if green was something we were born to. I did not understand it. Deep inside I felt as if this gray had surely gone on forever and the forests I’d fought all my life had been merely illusions.

Not all the adults in Liza’s world share Jayce’s certainty, though. As the story progresses, Liza flees a danger that comes from beyond the dying forest with Karin, a fey survivor of the War. Karin is a plant mage, keenly aware of the changes winter has brought to the world, and she asks aloud the question that human adults have not.

The grasses sighed wearily and retreated back into the snow. “They’re not dead,” I said. “Not completely, not around you.”

“They are not dead.” Karin sounded as tired as the grasses had. “But they are dying. Tell me, Liza, do you believe that spring will come?”

Why ask me? I was no plant mage. “The adults in my town believe it.” They believed in spite of the gray trees and the gray skies, the failed crops and the too-long winter.

“So it is with the human adults in my town as well.” Karin held a hand out to the falling snow as we walked on. Snowflakes melted against her skin. “Yet I have never heard the trees so quiet. They yearn for darkness, and some have given way to it. Others slip into sleep, accepting that they may never wake. I am told this is the way of your world. It is not the way of mine. I have never known a forest that was not green. What do you believe?”

Do you believe that spring will come? It’s a question I’ve returned to many times since I wrote Faerie Winter. It’s a question I was asking before I wrote that book, too, before fiction led me, as it so often does, to put into words the things I was already saying.

Because Faerie Winter is fantasy, the question of spring’s return is not merely metaphoric. It turns out the danger of endless winter is real, and so Liza’s inner crisis is echoed by the world’s outer one. Fantasy does that, sometimes—lets us transform internal struggles into external realities so that we can face those struggles head on and in a more concrete way than other types of stories allow.

Do you believe that spring will come? Things have changed so much already—in Liza’s world, in our world. There’s no changing them back. Do we believe that forward change will continue instead, leading us on to someplace new, someplace viable, someplace where things can grow once more?

Do you believe that spring will come? There’s a strange comfort simply in putting the question into words.

On one level, I know the answer, always have known it. If I didn’t believe, deep down, that spring—that the future—would come, writing a book where spring was called into question would have been too much to bear.

On another level, I need, just as deeply, to hear the question asked, and I need to travel the hard path toward its answer, again and again, not just in the books that I’ve written but also in the countless books that I’ve read through the years, ever since I knew how to read. Stories were the thing, after all, that got me trough childhood and adolescence and all that came after. Every misunderstood kid who had adventures and saved the world and found their place in that world was, in their way, another needed answer.

An answer, and also a map—the map Liza lacks—for what the journey might look like. Spring comes. Not always easily, not always painlessly, not always as quickly as we want or as we need, but in the end and at the last. Spring comes. Deep down, I know that.

After all, I’ve taken this journey before.

“The only way to cope with something deadly serious is to try to treat it a little lightly.”

1. I have a piece in the Weekly Humorist this week.

Buy My Book, It Will Protect You from the Coronavirus, Says Author Whose Public Appearances Have All Been Canceled

(For the record, I didn’t have any launches or appearances planned. But a great many authors have, and you should totally buy their books.)

2. Good Unicorn, Bad Unicorn.[Good

(Good Unicorn: “Feeling ill? Here, let me cure you with my magical horn.” 
Bad Unicorn: “Get your unicorn-purified hand sanitizer here—just $500 a bottle!”)

Hang in there, everyone.

Faerie Winter’s new edition

Faerie Winter

Faerie Winter has a new look—and new paperback and ebook editions! If you missed this sequel to Bones of Faerie the first time around, now is your chance to revisit Liza’s post-apocalyptic world and its treacherous, haunting magic.

Order the new Faerie Winter paperback online or from your favorite brick-and-mortar bookstore (ISBN: 978-1798950708). Order the ebook edition from Amazon, Apple, Barnes and Noble, Kobo Books, or wherever ebooks are sold.

Missed the first book? You can still order the first edition of Bones of Faerie from your favorite offline or online bookseller, and you can still order the ebook wherever ebooks are sold.


More about Faerie Winter

Liza is a summoner. She can draw life to herself, even from beyond the grave. And because magic works both ways, she can also drive life away. Months ago, she used her powers to banish her dangerous father and rescue her mother, lost in dreams, from the ruined land of Faerie.

Born in the wake of the war between humanity and the fey, Liza lived in a world where green things never slept, where trees sought to root in living flesh and bone. But now the forests have fallen silent, and even Liza’s power can’t call them back. Winter crops won’t grow, and the threat of starvation looms.

And deep in the dying forest a dark, malevolent will is at work. To face it, Liza will have to find within herself something more powerful than magic alone.

This sequel to Bones of Faerie will thrill both new readers and fans eager to return to Janni Lee Simner’s unique vision of a postapocalyptic world infused with magic.

“Simner paints a hauntingly exquisite portrait of a postapocalyptic world. Fans of both fantasy and dystopian fiction will devour this one.” —School Library Journal


In Tucson? Book signing Saturday!

I’ll be signing the new paperback of Tiernay West, Professional Adventurer at Mostly Books this Saturday.

Where: Mostly Books, 6208 E. Speedway
When: Saturday, December 15, 2:30-4:00 p.m.

Tiernay West, Professional Adventurer coverStop by and get a copy personalized for the adventurer in your life—even if (especially if) that adventurer is you.

Copies of Bones of Faerie will also be available, and Jennifer J. Stewart will be signing her Twelve Days of Christmas in Arizona, which makes an excellent gift for out-of-town friends.

Can’t make the signing? You can find Tiernay West, Professional Adventurer in stock at both Mostly Books and Fourth Avenue’s Antigone Books.

Not in Tucson? You can also order Tiernay West, Professional Adventurer at your favorite local bookstore, or you can buy a copy online.