Tag: nanowrimo
NaNo-ing outside the box
“Who were you before the Fall? / I was a singer, saw the future …”
When I validated my word count at the NaNoWriMo web site last week, the following text came up:
Congratulations, novelist! You won!
I found myself a bit bemused, because I couldn’t remember the last time I thought of a novel as winning rather than finishing. You win contests, I thought. You finish jobs. The past couple decades have been all about becoming someone who thinks of writing as my job, rather than just this thing I do, after all.
But after a time, I decided the wording wasn’t actually wrong. Because the thing that’s been the most fun about doing NaNoWriMo has been being reminded of what it was like, in the beginning, when I’d never finished a book and was terrified I couldn’t, when I’d never even finished a short story and was wondering if I ever would, when the very idea of writing anything for real–even though it was what I’d dreamed of all my life–seemed a little bit crazy.
That’s what NaNoWriMo is really for, bridging that crazy gap between hoping/wishing/dreaming/wanting to/being afraid to and actually taking that first leap out into actually doing. And it’s also for having other people around you, cheering, getting just how amazing making that leap is.
A lot of work comes after that leap. Reading the NaNoWriMo twitter stream, it was clear that some writers understood this better than others. Maybe that’s okay. If anyone had told me how much work was still to come after I’d finished my first novel (heck, after my first novel was on the shelves–which was in the mid-90s, because my career wasn’t a straight-line sort of career) I might well have been frightened into giving up. That first leap needs to be giddily celebrated.
At times, especially at the start of NaNoWriMo, I felt a bit jaded as a writer, reading all that giddiness, knowing how much work lay on the other side of it, at least for those aiming for publication (which can be the goal but doesn’t need to be). I found myself wanting to give advice on things writers ultimately have to learn on their own, in their own ways; I felt like a bit like maybe I didn’t really belong there at all, for all that the prod to push a little harder on my draft was kind of nice.
It was good to be knocked out of that jadedness a little, too. It was good to be reminded that ultimately, writing is supposed to be, along with everything else, crazy joyful fun–that that’s one of the reasons we all started writing. It was also good to be reminded that every stage of the writing process needs celebrating, that there are too few milestones and we need to enjoy them as often as we can.
So I’m good with having “won” NaNoWriMo. My only gripe would be with how those who wrote less than 50K this month sometimes refer to themselves as having “failed” NaNoWriMo. The opposite of writing 50K isn’t failure; it’s Keep Writing.
Actually, that’s what follows any and all word counts. Today, a lot of NaNoWriMo regions are planning TGIO (thank god it’s over) parties. When I first saw that, my reaction was to think, What is this over of which you speak? And then I laughed, thinking maybe, just maybe, I’ve become a bit obsessive about this writing thing through the years.
But on the other side of all the celebrating, it’s not over, not really, not ever if many of us can help it. We have words to write and stories to tell and ultimately … that’s pretty awesome.
“…we’re flying /crying in that crow crazy way /tell me who is more free /at the end of the day?”
Book pace is slowing down. Wonder if there’s something I’m missing, though in the rough draft it generally doesn’t matter much, given how much there still is to find.
Or maybe after pushing most of the month, my brain is just reminding me that sometimes it wants slow days.
“Well darkness has a hunger that’s insatiable / and lightness has a call that’s hard to hear”
Except Dust Girl isn’t due out until next year. Have I talked about Dust Girl yet? Maybe it’s too early to, but … I think I will sometime soon anyway. (Fairies. Dustbowl era. It totally works.)
But Daughter of Smoke and Bone is out right now, and if you love a good contemporary mythic story, you should stop reading this post right now and start reading that book instead. (Monsters who might or might not be demons. Seraphim who might or might not be angels. A girl raised by the former whose nature is unknown … and none of this does justice to the Story So Far at all.)
Inching into the final third of the current draft, with the vague sense that there are many Significant Story Elements yet to be uncovered. Sometimes I really do think I’m a tactile writer, working by feel in the dark, even though with stories very little can be touched in a literal way.
“Your kids will learn again / how to build a fire / where to look for water”
Which is good, because I’m taking a few days off anyway. 🙂
Happy Thanksgiving to all those celebrating same!
“Even though the sky falls down upon you / Call it midnight feelin’ bad”
“I climbed a mountain and I turned around / And I saw my reflection in the snow-covered hills”
Thanks for being so helpful to all the younger characters who need you. They really appreciate it.
Now, can you go get yourself injured please?
Kthxbye,
Me
Realized after about 1800 words that something needed to attack my whiteboard-and-doughnut loving characters, and that this was the time for that something to do so. Spent the rest of the day figuring out what–and more importantly, why.
“The road is quiet / the only sound / is wind that sounds like cars that sound like breathing”
“… we lay on our backs / Staring up at the blue and the blue stared back”
It’s been a fascinating progression.
– Unsold Early YA novel: Kept 2/3 of my first draft.
– Bones of Faerie: Kept about 1/3 of my first draft. (To around the point where Matthew finds Liza in the woods.)
– Thief Eyes: Kept the prologue.
– Faerie Winter: Kept … nothing. Wrote the wrong book, in the wrong town, with the wrong characters, en route to finding the right ones. (This was also, maybe not-coincidentally, the book where I decided to fully embrace my process, and stop worry I ought to be fighting it.)
– Faerie After: Kept bits and pieces throughout. Wrote something closer to the general neighborhood of the right book. Sort of.
– New Book: The structure has a chance of being more or less right again, even if all that happens within it gets rewritten. At least for the 2/3 already on the page–last 1/3 is still impossible to predict.
Where saying I kept something means, I kept the basic story, but not necessarily much of the prose. And where large amounts of what on paper went unused or changed utterly actually informed the magic, issues, and themes of the larger book. Which is why I don’t think of any of it as time wasted or mistakes made or things thrown away, but all part of a larger process.
And then there was Secret of the Three Treasures, where I pretty much kept the original book and my edits were mostly surface edits, at least compared to my usual process. Because sometimes, a book comes along that’s just a gift, and you can’t (I can’t) plan on it and can’t predict when that will happen. I’ve had at least one short story like this, too.