“When you write,” she says, “you tap the keys, you don’t pound on them right?”
Yet for a moment, I do manage to move my blade with less effort, rather than more. Suddenly the foil feels less heavy and my arm feels less tired than a moment ago. Going heavily and taking things seriously–pounding on the keys, so to speak–has its advantages, I know, coupled as it is with a strong dose of enthusiasm and a certain stubbornness that’s been enough to keep me writing through a career that included a ten year gap between books. It has disadvantages, too, though–that tendency to take things too seriously, to treat everything as a fight to the death. Fast forward to another fencing class. We’re playing a conditioning game involving a soccer ball and a couple fencing masks (really!) I throw the ball to a teammate more enthusiastically and with less focus than needed. As it bounces of the ceiling (and misses my teammate utterly), I hear the coach cry “watch out for the lights!” I miss the lights. But even so I think, I’m still doing it. Still putting too much force into each move, when less would be so much more effective. Later this class, I’m fencing to ten touches with a classmate. I find myself experimenting–testing whether it’s better to rush forward, or to let my opponent come to me; how much energy to put in; how much to hold back. It’s a sort of play, and I don’t find any one right answer–any technique has potential, and nothing works all the time. Later still, we’re shooting baskets. This is something I know how to do. Gently, I gauge the distance, send the ball swishing into the net, four times out of five. Sometimes I know how not to push too hard. I don’t always take things too seriously. On the way home, my thoughts bounce around a bit, and then I find myself thinking: Life is play. This seems terribly important suddenly, so I let the thoughts continue bouncing around. I find myself thinking that enthusiasm and effort are good things, but if I put everything you have into the thing you’re doing, I don’t have anything left over to enjoy it with, to remember that it’s play. But if I pull back just a little–laugh at myself a little, remember that while on one level maybe everything is deadly serious, on another level nothing is all that serious really–if I keep something in reserve with which to play–that just might give me the space I need to go lightly, and to connect with the target. Life is play–even when it’s hard work, and not only when one is playing with toy swords.